dubstep song with the words rock and roll in it

#Dubstep song with the words rock and roll in it full

Now that we've clarified that, dubstep isn't dead, what's the future of dubstep like? At the same time, again more people are listening to it then ever, so who knows I'm excited to see where it goes!ĭefinitely well said, and I think a lot of your peers would echo that. Like Skream has been in it since the start, so who knows? Maybe he's just really sick of it like some other guys and they're looking for some change - and can't blame for that. That kind of showed us, that well maybe the people in the UK have doing it for so long, like ten years now, are obviously sick of it.

#Dubstep song with the words rock and roll in it full

Maybe, it might be dead to a lot the tastemakers, but if you saw this year at EDC, the bass stage was completely full the entire time, and it was probably the second biggest stage after the main stage and it was all dubstep and trap. And to say that dubstep is dead? That's kind of weird because at this point, there are still more people listening to dubstep then ever before. I think with the progression of trap, as it gets bigger and it gets better, it'll start to open up doors for dubstep, because it is still the same tempo.

Some parts of that are true, at the same time, I feel like the genre isn't being pushed any further and it's like a lot of the dubstep producers are thinking 'where do we go from here?' At that point, I think the only thing you can do is take a break from it and in doing so open the door for other music and so I think right now trap music is filling that void. That's good to hear, because as a lot of the scene's top talents like Skream have moved away from dubstep, and I know there's rumblings that 'dubstep is dead'… Even Zomboy told us earlier this year that 'I think everyone came to the realization that dubstep was slowly getting a bit boring'…As someone who was instrumental in dubstep's North American explosion and is currently head of one of the premier bass music labels, what do you make of those comments and rumblings? I'd say that's the basis of the album, and given the response from the previews, I'm excited to see how it goes down!

But yeah, I'd say most of the tracks are around 140, and it kind mixes styles, where some are more melodic, and others are straight up raw, like the title track 'Let It Burn,' which is probably the rawest track on the album. I've got some 110, some electro, a little bit of drumstep, and the whole thing kind of has a bit of a hip-hop tilt.

Yeah, I mean the core of the album is dubstep, because that's what kind of I'm known for, but it jumps around bit. For fans who haven't heard it, or just want your perspective, what can fans expect from the project? A mix of styles? Straight up dubstep? I'm stoked to be where I'm at.Īnd speaking of where you're at, you've got your new record, Let It Burn. It's cool, it's nice to have that many supporters and it's a blessing. Haha! Well, it's kind of been a longtime coming, it's been a push working my ass off. Just a week before Datsik kicks off the fall Firepower Records Most Wanted tour, Datsik took the time out of his busy schedule to answer our questions.įirst off, let me congratulate you on reaching one million fans on Facebook. Since his initial 2009 SMOG Records release, a collaboration with 12th Planet, Datsik has toured the world, headlined festivals, released multiple albums (including his latest Let It Burn and his debut, the Dim Mak-released Vitamin D), and most recently hit 1,000,000 fans on Facebook. Born and bred out in western Canada (Kelowna, BC to be exact), Datsik broke out with the initial North American EDM explosion when he linked up with fellow dubstep and bass music dons like Excision, 12th Planet, and Flux Pavilion, carving out his own take on the bass-laced low end grooves of dubstep. Canada's Troy Beetles, professionally known as Datsik, is no doubt one of the most unique players in the whole dance music game.